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BANGOR – Silly schemes and sexy shenanigans are unfolding (and undressing) at the Bangor Opera House.

Penobscot Theatre Company’s latest production is the farce “Don’t Dress for Dinner,” adapted by Robin Hawdon from Marc Camoletti’s “Pyjama Pour Six.” Directed by Chris “Red” Blissette, the show runs through February 16.

It’s a madcap whirlwind of amorous misfortune and mistaken identity, with the questionable-at-best decisions made by a group of oversexed friends and lovers resulting in an ever-escalating spiral of lies that threatens to blow up at every turn. And with every untruth, the collapse comes closer. Will any of these relationships survive the night?

All of this playing out in a high-octane dance of entrances and exits and – of course – slamming doors galore, driven by a first-rate ensemble. It’s energetic and entertaining, a frothy bit of fun that will induce some warming, welcome laughter at this ever-so-cold time of the year.

Published in Style

Bad boys, bad boys, whatcha gonna do? Whatcha gonna do when they come … back … for you?

That’s the question some might have been asking themselves upon hearing that there would be a third installment in the Will Smith-Martin Lawrence buddy cop action comedy “Bad Boys” series. With 17 years having elapsed since the last entry, would this latest offering work? Would the high-octane rapid-fire profane chemistry of the two leads hold up? What about the new directing team of Adil and Bilall? Would they be able to fill the explosion-and-bikini-filled shoes of action auteur Michael Bay?

Do we need another “Bad Boys” movie?

Ultimately, the answer is “no” – and that’s OK. We don’t need another “Fast & Furious” movie. We don’t need another Marvel/DC movie. We don’t need another cartoon musical. But they’re still fun, and that’s what “BBFL” is. It’s fun. A lot more fun than it has any right to be, in fact.

This film is a throwback to a different era of action movie, one anchored and elevated by the still-strong comedic dynamic between Will Smith and Martin Lawrence. It somehow manages to simultaneously acknowledge and ignore the passage of time, a look at two guys coming to terms with the realities of aging while ALSO still clearly being far and away the coolest dudes in the room. It’s ridiculous and sublime and unexpectedly honest, close to the best-case scenario for a story that’s been gathering dust for nearly two decades.

Published in Movies
Wednesday, 22 January 2020 14:16

‘Dolittle’ does even less

When a once-hyped big-budget movie sees its release time moved from prime real estate to the January tundra, it’s probably safe to assume that things haven’t worked out the way anyone anticipated. It’s not hard to tell when a studio has made the grim decision to cut its losses.

“Dolittle” was obviously intended to be a tentpole, a spring/summer release meant to kick off a franchise. And with no-longer-Tony-Stark Robert Downey Jr. on board, it probably felt like an easy win, a no-brainer.

Instead, it’s a meandering and pointless exercise in formulaic filmmaking. It is utterly lacking in any sort of spark, a flat and listless story told without any real excitement or urgency. There’s zero in the way of originality and even less in the way of engagement despite an absolutely all-star cast. Younger viewers might get some giggles, but even they will likely sense that something doesn’t sit right.

Basically, “Dolittle” is a dumb movie that doesn’t really care how dumb it is.

Published in Movies

ORONO – They say opposites attract … but do they really? And for how long?

True North Theatre is bringing a Neil Simon classic to the stage with their production of “The Odd Couple.” Directed by Angela Bonacasa and starring TNT regulars Tellis Coolong and Tyler Costigan, the show runs through Jan. 19 at the Cyrus Pavilion Theatre on the campus of the University of Maine at Orono.

It’s the best-known of Simon’s many theatrical classics, a story about the difficulties inherent to starting over and the importance of friends who will support you even as you drive them crazy. It’s also arguably his funniest, with the mismatched pair at the show’s center an iconic stage dynamic; their relationship laid the foundation for a hundred comedies – some brilliant, others derivative, but all undeniably inspired by Oscar and Felix.

True North gets it, featuring fine performances from that central duo and a general understanding of just how hilarious this script is - an understanding that is ulitmately executed wonderfully.

Published in Style
Tuesday, 19 November 2019 11:55

‘Charlie’s Angels’ get their wings

Did we really need another “Charlie’s Angels” movie?

It’s not surprising, really; the basic concept is certainly ripe for revisiting in this current era of IP-driven franchise-building. And in case you’re wondering, yes – this new film is intended as a sequel of sorts to the two “Charlie’s Angels” films from 15 years ago, rather than a reboot.

But the question remains: why?

That said, the actual result is better than it has any right to be. Not great, but OK. It’s probably safe to assume that much of the credit for that has to go to Elizabeth Banks, who not only directed the film but also makes her feature debut as a screenwriter. Oh, and she’s in it as well. So yeah – this is very much an Elizabeth Banks joint.

Published in Movies

BANGOR – There’s no business like show business. And when you have a show about show business? Well – the show must go on. And on. And on…

Bangor Community Theatre is presenting “Moon Over Buffalo,” a comedy by Ken Ludwig, on their home stage at the Bangor Grange Hall. The show – directed by Irene Dennis – runs through Nov. 24.

It’s the story of two aging actors, touring the hinterlands with a pair of classic stage plays in the 1950s. However, when an unexpected opportunity presents the possibility of a return to glory, the pair will do whatever it takes to make it happen – no matter what.

Published in Style
Tuesday, 12 November 2019 12:42

‘Playing with Fire’ a lukewarm family film

Let’s be clear from the start: John Cena is not The Rock. Nor will he ever be The Rock, no matter how hard he, WWE and/or Hollywood try to make it be so.

And that’s OK. Cena has his own (admittedly limited) charms, both in terms of personality and performance acumen. He’s never going to be the entertainment force that is Dwayne Johnson.

Movies like “Playing with Fire” are an excellent illustration of that truth. While The Rock had his share of kid-friendly outings early in his film career, it was clear even at the time that something larger was looming. Cena simply doesn’t have the same sort of raw charisma.

This isn’t a criticism, really – though it may sound like one. Cena’s performative talents may lag behind his fellow wrestler-turned-actor, but he also has plenty to offer in his own right. He’s got a gift for using his imposing physicality to his benefit, as well as a legitimately good sense of comedic timing and a genuine earnestness – all of which work well in a movie like this one.

Published in Movies

BREWER – Some of the best improvisational comedy groups from all over the state of Maine are descending on the Next Generation Theatre in Brewer this weekend.

On Nov. 8 and 9, local improv troupe The Focus Group will once again be playing host to the Improv ME Festival. Sessions will take place at 8 p.m. on Nov. 2 and at 5 p.m. and 8 p.m. on Nov. 3.

Now in its fifth year, Improv ME is the largest annual assemblage of improv talent in the state of Maine. With three sessions over two days featuring seven different groups, audiences will get the chance to experience some of the best improv that Maine has to offer. The producing sponsor of the Improv ME Festival is Geaghan Brothers Brewing Company, a role they have filled since the festival's inception. The media sponsor is The Maine Edge.

Joining The Focus Group will be: Bar Harbor’s ImprovAcadia, Farmington’s Teachers Lounge Mafia, Orono’s Improv In Sanity, Camden’s The Cool Kids’ Table, Bangor’s Queen City Improv and southern Maine’s You Should Smile More.

In addition to the groups listed, the festival will close out with an improv surprise featuring players from a variety of different troupes; expect the unexpected even more than usual from Improv ME’s final set.

Published in Cover Story
Tuesday, 22 October 2019 13:33

‘Rumors’ a farce to be reckoned with

ORONO – There are a whole lot of doors being slammed and stories being spun on the University of Maine campus, courtesy of a classic Neil Simon farce.

UMaine’s School of Performing Arts is presenting Simon’s “Rumors” at the Cyrus Memorial Pavilion Theater on the Orono campus. Directed by Julie Lisnet, the show runs through Oct. 27.

It seems as though the region has Neil Simon on the brain these days – Ten Bucks Theatre just closed their production of the playwright’s “The Sunshine Boys” – but there’s a reason for that: he’s funny. His work is charming and clever and accessible, a perfect fit for just about any company. “Rumors” is a great example of that; it’s not top-tier in terms of Simon’s most well-known work, but it’s just a tick below.

And again – it’s VERY funny.

Published in Style

The pop culture zeitgeist is in constant flux. What’s popular and exciting changes with ever-increasing rapidity; today’s hot commodity is tomorrow’s passé cliché.

Ten years ago, zombies were hot. There were all manner of properties devoted to the horror subgenre; comic books and movies, TV shows and novels – the works. Into that world was delivered “Zombieland,” a zom-com with a dynamite cast that embraced the inherent humor while also leaning into the more visceral and graphic aspects of zombie tales. Basically, it was funny and gross and a hell of a good time. It was also a significant financial success, more than quadrupling its budget at the box office. So it stands to reason that the powers that be would want a sequel.

Only it took a little longer than anticipated.

Now, a full decade later, we’re finally getting that sequel. Titled “Zombieland: Double Tap,” this movie lands in a much different pop culture landscape than its predecessor. It’s tough to argue against a degree of zombie fatigue when it comes to our entertainment; the saturation point was passed long ago.

Published in Movies
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