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Monday, 20 September 2021 14:51

The many ages of man – ‘Cry Macho’

For the most part, filmmaking is a young person’s game. The amount of energy required – creative, physical and otherwise – is staggering; it’s no surprise that most directors fade into film history in their later years.

Clint Eastwood is not most directors.

Say what you will about his late career output – let’s just call it “uneven” – but this is a guy who set the record for oldest director to win an Oscar 17 YEARS AGO and is still very much at it at age 91. Hell, he’s more prolific than the vast majority of his peers, producing more work than filmmakers less than half his age; dude’s made 14 films since that 2004 Oscar win, with eight of them just in the last decade.

His latest is “Cry Macho,” currently in theaters and streaming on HBO Max. Eastwood also stars in this story – adapted by Nick Schenk from N. Richard Nash’s novel of the same name – of an aging horse trainer and former rodeo rider who winds up enlisted to retrieve his boss’s son from Mexico and bring him back to the States, only to find himself slowly drawn to the possibilities presented by this journey.

It’s a surprisingly sentimental period piece, a movie that has more to say about the intersection of masculinity and emotion than you might expect from a filmmaker like Eastwood. The film does a good job of taking advantage of the bleak beauty of the setting, but some of that impact is sapped by the combination of some weak writing and a well-intentioned but stiff lead turn from Eastwood.

Published in Movies

Telling true stories via movies has always been complicated. On the one hand, when one hears those words – “true story” – one has certain expectations that the events portrayed actually happened. On the other hand, the telling of stories should allow for some creative flexibility for the storyteller – these are dramatizations, not documentaries.

A movie like Clint Eastwood’s “Richard Jewell” is an apt representation of the myriad gray areas that come with representing real people and their stories on screen. The story of the titular Jewell – the security guard who discovered a pipe bomb during the Atlanta Olympics and saved hundreds, only to become a very public person of interest regarding the planting of that same bomb – is a complicated one; he was a very flawed man who was treated very badly largely because of those same flaws.

Jewell is the sort of man to whom Eastwood gravitates and the sort of uniquely American story that he greatly enjoys telling. It’s also problematic in its way, with some challenging the veracity of certain portrayals. It’s an incomplete portrait of an imperfect man.

Published in Movies

There are always obstacles when it comes to putting a real-life occurrence onto the silver screen. Mining the truth for drama while still maintaining that connection to what really happened is a delicate balance, one that isn’t at all easy to consistently strike.

Published in Movies
Saturday, 10 September 2016 14:41

'Sully' makes a splash

Film recounts 'Miracle on the Hudson'

Most of the time, filmmakers have to work fairly hard to bring forth the drama when it comes to movies based on real people and real events. 'Based on a true story' tends to lean harder on 'based' than 'true.'

Published in Movies
Wednesday, 26 September 2012 15:27

No trouble with Trouble with the Curve'

Relationships take the field in this baseball offering

As a rule, I enjoy most sports movies, but the truth is that with very few exceptions, Hollywood has been most successful with films about boxing and baseball. While boxing's visceral brutality is a large part of why it works on film, baseball's advantage is in its inherent romanticism. America's relationship with its pastime allows the sport to work as a framework to explore our relationships with one another.

Published in Movies

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