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Friday, 01 October 2021 15:40

‘The Addams Family 2’ hits the road

You never know what will have pop cultural staying power. For every bit of creative content that maintains a place in the consciousness, hundreds upon hundreds more disappear into the scrap heap of zeitgeist detritus.

It seems unlikely that Charles Addams knew what he had birthed when the first images of his macabre “Addams Family” graced the pages of The New Yorker back in 1938. But those darkly humorous pieces led to a popular television show, which in turn led to a popular series of films, then to another TV show and a Broadway musical and now an animated film franchise.

The latest iteration of the creepy, kooky titular family is “The Addams Family 2,” a sequel to 2019’s “The Addams Family.” These animated films aim to strike the balance between kid-friendliness and staying true to the spirit of the source material. As to how successful they are, well … your mileage may vary.

There’s a lot to like here – the voice cast is outstanding and the character design nicely evokes the original cartoons without being derivative. That said, the script leaves something to be desired, with a relative dearth of narrative action padded by musical numbers that, while cute enough, feel kind of incongruous. Still, it has its charms – enough to make it worth your time.

Published in Movies
Monday, 28 June 2021 12:08

Even faster and furiouser – ‘F9’

I don’t want to be accused of burying the lead here, so I’ll just say this now: “F9” is a big, loud bunch of hot nonsense. The plot is transparently thin and peppered with holes at its best and utterly incoherent at worst. The performances are broadly winking and cartoonish. The action sequences gleefully defy even the most basic understanding of how physics work. It is candy-colored chaos, littered with CGI explosions and one-liners of varying effectiveness.

And I enjoyed myself very much.

Look, I love well-crafted sophisticated filmmaking as much as the next guy. I love complex characters working through engaging narratives, with ever word and deed sporting some sort of discernible motivation. But that doesn’t mean that I can’t also find joy within the confines of the car chase cash register that is the “F&F” franchise.

This latest installment – tenth in the series if you count “Hobbes & Shaw,” which I absolutely do – continues the ever-increasing bats—ttery that has marked the series for years now. You don’t need me to point out the bizarreness of a little film about street racing developing into a blockbuster monolith packed with action and espionage and an ongoing cavalcade of movie stars, but it’s hard to write about any of these films without at least acknowledging that truth. Justin Lin, who made his name by directing entries three through six in the franchise, returns to the helm for this entry.

I cannot in good conscience tell you that this movie is good. It is not. However, there is no denying this movie is great fun to watch. You’ve probably heard films described as something where you just “need to turn off your brain.” Suffice it to say, you might want to get ready to flip that switch. Sure, you’ll likely find yourself chuckling and shaking your head at the physically impossible action set pieces or the wildly improbable twists and turns in the narrative. Frankly, there’s a lot here that feels not just incoherent, but almost willfully stupid. And yet – there’s just something about it.

Published in Movies
Saturday, 11 July 2020 16:41

Never say die – ‘The Old Guard’

It takes a special kind of performer to headline an action franchise. Gone are the days when all it took was a willingness to bulk up, shoot guns and spout catchphrases; today’s action offerings trend toward the high-concept, particularly when looking to create or continue a series. And a different sort of action requires a different sort of actor.

To be honest, I wouldn’t have pegged someone like Charlize Theron as a likely action star, but following recent turns in films like “Mad Max: Fury Road” and “Atomic Blonde,” it is abundantly clear that she has all the requisite chops to handle her business.

Her latest entry into that realm is “The Old Guard,” currently streaming on Netflix. It’s a sharp and sometimes surprising sci-fi action offering, one clearly intended to kick off a franchise for the streamer. There’s a thoughtfulness to the film that you don’t always see in this sort of offering, along with a willingness to allow breathing room for character development (although the action set pieces are high in both quality and quantity).

Directed by Gina Prince-Bythewood from a screenplay that Greg Rucka adapted from his own graphic novel series of the same name, “The Old Guard” is a film whose strengths are consistently complementary, finding the perfect blend of action-packed excitement and character engagement – one left wide open for future installments.

Published in Movies
Monday, 23 December 2019 22:23

‘Bombshell’ not quite a dud

With the cultural pervasiveness that came from the #MeToo movement, it was only a matter of time before we started seeing cinematic representations of those narratives.

“Bombshell,” directed by Jay Roach from a screenplay by Charles Randolph, is one such movie. A dramatization of the story of sexual harassment behind the scenes at Fox News, the film stars Charlize Theron, Margot Robbie and Nicole Kidman, each of whom portrays a woman impacted by the behind-the-scenes actions of men in power.

Unfortunately, while the performances are undeniably excellent across the board, the framework in which those performances exist is somewhat lacking. There’s a thinness to the proceedings that undermines the overall experience, with motivational and behavioral questions left unanswered in a manner that renders the film rather unsatisfying.

 

Published in Movies
Friday, 03 May 2019 11:58

‘Long Shot’ pays off big

Lately, it might seem as though every single studio movie is either a nine-figure-budgeted franchise blockbuster or a low-overhead genre movie. And yes, there’s a lot of that kind of stuff out there. But those who have bemoaned the loss of the mid-budget studio film should take solace, for the reports of its death have been greatly exaggerated. Sure, we see FEWER of those movies, but they’re far from over.

“Long Shot” is a perfect example of just that kind of film. A high-concept hybrid of political comedy and juvenilia, it’s a rom-com that tries to be a lot of different things and is largely successful. It’s an unconventional execution of a movie-conventional pairing between Seth Rogen and Charlize Theron, lending a surprising degree of nuance to the standard mixed-attractiveness comic screen pairing.

It’s also an attempt at political satire, an effort to poke fun at the current climate. Government operations and the media both take their share of hits, and while the effort doesn’t land as well as the relationship stuff, it still manages its share of laughs. It’s a movie that is smart and profane, putting forth cleverness and crassness in equal (and often hilarious) measure.

Published in Movies
Tuesday, 08 May 2018 14:39

Mother’s milk – ‘Tully’

One of the downsides to the bounteous excess of summer blockbuster season is the fact that it’s extremely difficult for a smaller film to gain any real traction. More thoughtful fare can be drowned out by a wave of superheroes, sequels and CGI explosions.

In the case of “Tully,” the latest product of the director/writer partnership of Jason Reitman and Diablo Cody, that would be a real shame. This weird little funny/sad film is a lovely piece of storytelling that deserves to be seen, a meditation on motherhood that is genuine and bizarre and driven by an outstanding performance from Charlize Theron (who previously teamed with Reitman and Cody on 2011’s “Young Adult”).

Published in Movies
Wednesday, 02 August 2017 10:16

‘Atomic Blonde’ explodes into action

Spy thriller led by a never-better Charlize Theron

Published in Movies

Eighth franchise installment as big, as dumb – and as fun – as ever

Published in Movies
Wednesday, 27 April 2016 11:26

Winter's bore The Huntsman: Winter's War'

Unnecessary sequel an ill-conceived, uninteresting misfire

Published in Buzz
Wednesday, 06 June 2012 15:06

Who's the lamest of them all?

Latest Snow White' adaptation both overwrought and dull

We live in an age of recycled creativity. The number of original stories that are being told in our popular media seems to shrink with each year that passes.

This shrinkage is what leads us to the release of 'Snow White and the Huntsman,' the second reboot of the classic fairy tale to debut in less than three months ('Mirror Mirror' hit screens at the end of March). So not only is it a story that has been told countless times before, it's a story that was just told a few weeks ago.

They're different movies, to be sure 'Snow White and the Huntsman' adopts a darker, more adult tone than its predecessor. However, that darkness and thematic maturity doesn't change the fact that this movie simply isn't very good.

Published in Movies

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