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So much of Hollywood is driven by spectacle. There’s a bigger-is-better ethos at work that drives more and more of the industry with each passing year, often crowding out some of the less flashy fare. Yet one could argue that movies work even more effectively as a medium for delivering smaller, more intimate stories. Bigger might be better, but sometimes, smaller is superb.

Take “Blackbird,” the new film directed by Roger Michell. A remake of the 2014 Dutch film “Silent Heart,” “Blackbird” is the story of an ailing matriarch bringing her family together for one final celebration of their lives together before her death – a death that she intends to be entirely on her own terms.

Featuring an absolutely stacked cast, “Blackbird” is a heartfelt meditation on the familial complexities that come with death and a look at how an impending loss can impact our choices. It’s a movie about choices and wrestling with the consequences of those choices and how, in the end, we must allow people to make those choices for themselves.

Published in Movies

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