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BANGOR – Sex sells. Even when the person discussing it might not be who you’d expect.

Penobscot Theatre Company’s latest production is “Becoming Dr. Ruth,” a one-person show celebrating the life and times of renowned sex therapist and pop cultural icon Dr. Ruth Westheimer. Starring Jen Shepard and directed by Julie Lisnet, the piece – written by Mark St. Germain – is running at the Bangor Opera House through May 22. For tickets or more information, visit the PTC website at www.penobscottheatre.org or call the box office at 942-3333.

The piece – which is set entirely within Dr. Ruth’s New York City apartment – takes place on a June day in 1997. It is a freewheeling tale of one woman’s incredible journey, one that took her all over the world and influenced her in ways large and small – all related to us by the woman herself. The vast majority of us think we know Dr. Ruth – the tiny smiling woman offering sex advice via radio and television – but that aspect of her life, while important, is just one part of her incredible story.

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BANGOR – What does it mean to take to the stage and portray a real person? How does one capture the essence of a cultural figure while still making the performance one’s own? And what if there’s no one up on that stage to help you find your way?

This is the dilemma facing Jen Shepard as she prepares to take the stage for Penobscot Theatre Company’s production of the one-woman show “Becoming Dr. Ruth,” written by Mark St. Germain and directed by Julie Lisnet. The show goes into previews on May 5, with opening night set for May 7; it runs through May 22 at the Bangor Opera House.

It’s the life story of Dr. Ruth Westheimer, who many of us probably remember as one of the first sex-positive television personalities out there. Her diminutive stature and engaging accent made her a popular figure in pop culture – particularly in her heyday – but there’s so much more to the woman than the smiling sex therapist so many of us remember. Dr. Ruth’s is a life richly lived – one more than worthy of being brought to light onstage.

As you might imagine, a character like this – and a show like this – presents a number of interesting challenges for a performer. Shepard sat down with me to discuss those challenges, as well as what drew her to the role and what the process has been like in bringing this show to life.

Published in Style

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