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You might not think that the end of the world is an appropriate backdrop for comedy, but fear not – Adam McKay has you covered.

Sure, an impending apocalypse SHOULDN’T be funny, but in the right hands, it certainly can be, and McKay has those hands, along with a willingness to embrace cultural divides and darkness in the name of plausibly bleak satiric observation.

McKay’s latest is “Don’t Look Up,” an at-times pitch-black comedy about what happens when the end of the world is coming and no one can seem to agree on what – if anything – we should do about it. The film has the same sort of sharp edges that we’ve seen in McKay’s more recent output and his fingerprints are all over it – he’s directing his own screenplay here. It also features a frankly incredible cast, an ensemble jam packed with Oscar winners and Hollywood icons; you don’t often see a bench this deep.

It is wildly funny – darkly so, but funny nevertheless – while also being deeply, bleakly plausible. It is a condemnation of current cultural discourse, a scathing takedown of American attitudes that is relentless in its disdain. It is a relevant and resonant reflection of where we are and where we could be going, delivered in a manner that elicits laughter even as it unsettles.

Published in Movies

I’ll admit to having had some fun at Gerard Butler’s expense over the years. He’s made some interesting choices, particularly in recent years, from the increasingly outlandish “[Something] has Fallen” series to ridiculous genre offerings like “Geostorm” and “Hunter Killer” to the outright execrable “Gods of Egypt.”

Quite the resume, no?

That being said, I’ve always derived enjoyment from these movies precisely BECAUSE they’re so flawed. Butler has carved out a niche as the guy you call to star in your nonsense movie. He’s good at it, lending an unearned gravitas to projects (I personally prefer him in his natural accent, but his generic American works just as well) that otherwise would sink unnoticed to the bottom of the VOD seas.

“Greenland” – directed by Ric Roman Waugh from a script by Chris Sparling – is a perfect example of the kind of B-movie sensibility to which Butler has hitched his wagon over the past near-decade, a straightforward end-of-the-world movie that nevertheless manages to engage on a more individualized level. It’s a film that embraces its budgetary limitations, giving us a film that is heavy on the human element rather than CGI pageantry.

Now, is it a great movie? Of course not – this is Gerard Butler we’re talking about. But it is an undeniably fun movie, one that manages to prove surprisingly moving in moments despite the general outlandishness of its plot machinations. We’ve seen a lot of apocalypses play out on the silver screen over the years, and while “Greenland” certainly isn’t the best of the bunch, it is far from the worst.

Published in Movies

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