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“Who ARE all these people?”

That was what I muttered to myself as I entered the first screening of “Angel Has Fallen” at my local cinema. It was just after 1 p.m. on a sunny Friday afternoon in late summer, the sort of stretch for which people bail on work to go for a hike or to the beach or something, but … this? The third movie in an increasingly-ludicrous series in which talking mayonnaise wad Gerard Butler has to save the day despite overwhelming odds against him? This is how you’re going to spend your day? Me, I have to be here – what’s your excuse?

Who ARE all these people?

Whoever they are, they got to see a movie that, while far from good, did manage to at least improve upon its execrable (and kind of racist) “London Has Fallen,” the follow-up to “Olympus Has Fallen,” best known as the “Deep Impact” to the “Armageddon” of the Channing Tatum/Jamie Foxx team-up “White House Down.”

“Angel Has Fallen” is happy to lean into the assorted tropes and clichés of the genre, featuring a convoluted narrative packed with inexplicable decision-making, totally telegraphed betrayals and meaningless technobabble jargon to go along with loads of grim grimaces and steely glares. It’s not good – never good – but it’s better. A low bar, but there you have it.

Published in Movies

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