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Tuesday, 15 October 2019 20:37

Battle of Wills – ‘Gemini Man’

Anyone who’s paying attention realizes that we’re moving into a post-movie star realm of cinematic entertainment. The vast majority of movies are IP-driven – the franchise matters more than the star. It’s the classic Johnny Bravo conundrum writ large – it’s all about who fits the costume, and with the current state of CGI … anyone can fit the costume.

There are a few leftovers from previous eras who are still hanging around to some extent – your Cruises, your Pitts, those sorts – and a couple of new guys (well, just one if we’re being real – congrats, The Rock!), but that’s about it.

Will Smith is one of the holdovers, someone who has been using raw charisma to dominate the big screen for going on a quarter-century. He is one of the scant handful of people out there to whom the descriptor “movie star” can still be applied, despite a … let’s just call it a questionable body of work. But hey – he’s still a movie star, right? And what could be better than a blockbuster movie featuring Movie Star Will Smith?

How about TWO Will Smiths?

Published in Movies
Wednesday, 23 November 2016 14:20

'Billy Lynn's Long Halftime Walk' stumbles

Film's technical innovations can't overcome weak narrative

Published in Movies
Wednesday, 21 September 2016 10:09

Previewing 2016's fall films

A look ahead at some autumn offerings

The summer blockbuster season has come and gone; 2016 proved to be a bit of a disappointment to many, though the season saw its share of successful films.

Published in Cover Story
Wednesday, 28 November 2012 22:34

Life of Pi' more style than substance

Film visually stunning, somewhat lacking in story

For many years, when a novel was referred to as 'unfilmable,' movie studios accepted it as such and more or less ignored it. Recently, however, it seems that Hollywood has taken that unfilmable label and viewed it as almost a dare.

The latest accepted challenge is 'Life of Pi,' based on Yann Martel's 2001 novel of the same name. The fantasy novel was adapted for the screen by David Magee ('Finding Neverland') and directed by Ang Lee ('Taking Woodstock').

Published in Movies

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