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Finding freshness in any longstanding entertainment genre can be a trying task. How does one bring a sense of newness or novelty to something utterly familiar without losing the essence of what makes that thing worthy of exploration in the first place?

Take romantic comedies, for example. We’re in the midst of a rom-com renaissance of sorts, with streaming services taking up the baton for the studios that have largely abandoned the genre. And while most of these new offerings are various shades of beige, content to stick to the tricks and tropes with which we’re all familiar, there are a few that succeed in breathing new life into the form.

“Happiest Season” is one of those few.

The film, directed and co-written by Clea DuVall and streaming on Hulu, is an outstanding movie, a smart and slyly subversive take on the genre. Featuring a dynamite cast and a thoughtful story, it’s the kind of high-end rom-com that just doesn’t come along that often. Maneuvering the relationship complexities that come with holidays and meeting parents and the whole deal while ALSO exploring some of the realities of queer romance? That’s one hell of a tightrope walk, but DuVall and her crew practically dance across it, embracing the joy and pain alike.

(In case you haven’t guessed yet, I REALLY liked this movie.)

Published in Style
Tuesday, 11 February 2020 11:55

‘Horse Girl’ a wild, weird ride

Sometimes, you sit down to watch a movie with certain expectations, only to have those expectations completely subverted because it turned out you really didn’t have any idea what you were getting into.

That’s an apt description of my experience with “Horse Girl,” newly streaming on Netflix after its recent debut at Sundance. Starring Alison Brie, who co-wrote the screenplay alongside director Jeff Baena, the film is a difficult-to-describe experience, a seemingly straightforward look at a socially awkward woman’s struggles that rapidly deteriorates into a what’s real/what’s not tightrope walk between mental illness and paranormal experience – and it occasionally loses its balance.

It’s an uneven and strange viewing experience, one that is unafraid to be opaque and confusing with regards to what is happening and why (or even if). The jaggedness of the plot and the fluidity between reality and fantasy and which is which can present some problems in terms of engagement with the story. Still, with a strong performance from Brie and some bold aesthetic and narrative choices, there’s more than enough here to warrant a look.

Published in Movies

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