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I love being surprised at the movies. In this day of franchise fodder and omnipresent trailers, it can sometimes be tough to go into a film with little in the way of preconception. So when the opportunity arises, it can be really rewarding.

Writer-director David Lowery’s new film “The Green Knight” was just such a rewarding experience for me. It’s based on the 14th century chivalric romance “Sir Gawain and the Green Knight,” but beyond that and the knowledge that the wonderful Dev Patel stars, all I knew was what I half-remembered from having read the original text some 30 years ago. So I didn’t really know what was coming.

What I got was a sumptuous visual feast, an aesthetic wonder; it’s truly beautiful to look at. The central performance is exquisite, which is key – anything less than excellence from your lead and this film simply collapses under its own weight. That’s mostly because it is also one of the most actively weird mainstream releases I’ve seen in some time – and that’s a good thing.

It is a fantastic and strange tale of a man set upon a journey he doesn’t fully understand, victimized by his own hubris even as he ventures through a world that is steadily shifting around him. It is a story of the difference between responsibility and obligation, between honor and shame, all playing out through the eyes of a lone knight on a quest whose seeming purpose slowly crumbles with each step forward.

Published in Movies

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