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There are a surprising number of movies out there that are built on the premise of someone dying, only to return from the Great Beyond to right various wrongs. Technically, these are ghost stories, though a lot of them are somewhat inexplicably played for laughs.

On the relatively rare occasion that the conceit works, you get a movie that is heartfelt and funny and that fully earns whatever emotional payoff it seeks. These are the films that manage to be both funny and poignant, deriving genuine humor and pathos from the narrative circumstances.

When it doesn’t work, well … that’s when you get “Afterlife of the Party.”

The Netflix streamer – directed by Stephen Herek from a script by Carrie Freedle – is a derivative clunker of a film, seemingly assembled from vague recollections of far better movies. It’s the sort of movie that attempts to elicit laughs through broad comedy and tears through fraught emotionality, only to succeed on neither front, resulting in a vapid and unsatisfying movie experience.

Published in Movies

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