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Wednesday, 15 August 2018 12:40

Shark weak – ‘The Meg’

After nearly a decade of reviewing movies, I’ve learned that some of the best cinematic experiences come from sitting down with simple expectations and having those expectations met. When you know what you want to get from a movie and then get exactly that, well – you’ve won.

However, that also means that when those simple expectations AREN’T met, you’re even more disappointed than you might otherwise be in a less-than-stellar film.

This brings us to “The Meg,” a movie that would seem to have it all: Jason Statham, a giant shark, a … well, that’s it, I suppose. Jason Statham and a giant shark. Those six words would almost seem like a guarantee of a goofy good time at the movies - ludicrous CGI and over-the-top action sequences and shark-pun-laden one-liners galore.

But while all of those things are there, “The Meg” never quite rises up to become even the sum of its parts, instead wandering along in a disjointed and haphazard progression, unable to decide whether to take itself seriously or to throw the metaphorical elbow to our ribs and hence arriving in a weird tonal limbo where we’re not sure how we’re supposed to react. Are we laughing? Are we tense? We don’t know … and neither does the movie.

Published in Movies

In today’s franchise-driven cinematic climate, the focus has shifted from performer to property. The notion of a “movie star” – at least in the way we’ve traditionally considered the term – is becoming increasingly anachronistic. But they’re not all gone yet. There are a few who can still legitimately bear the mantle of movie star.

Denzel Washington is one of the few. His latest is “The Equalizer 2,” which sees him reteaming with director Antoine Fuqua for a sequel to their 2014 old-guy-action extravaganza. It’s Denzel’s first sequel, which is surprising. What isn’t surprising is that it doesn’t live up to the pulpy thrills of the original, falling prey to the law of diminishing returns. Still, it’s Denzel, so while the movie might not be great, it’s extremely watchable thanks to the inescapable charismatic magnetism of its star.

Published in Movies
Tuesday, 20 March 2018 16:48

Ordeals and Croft – ‘Tomb Raider’

There has never been a genuinely good movie based on a video game. Not a particularly spicy take, but an accurate one. That’s not to say there has never been an enjoyable video game; tastes are tastes and there are plenty of ways to have a little fun.

Still, filmmakers have long struggled to translate the stories of video games – driven as they are by the agency and sense of utility of the player – into traditional big-screen narratives.

With the latest entry into the genre – a remake of “Tomb Raider” – that struggle continues, though it comes as close to success as any of the films that preceded it. Yes, there are plenty of ways in which it doesn’t work, but there are more ways in which it does than any video game-based movie we’ve seen.

Published in Movies

Action film might not be good, but you’ll have a good time

Published in Movies

It’s easy to feel like Hollywood has run out of ideas. The constant churn of remakes and reboots, the recycling and repurposing … everything old is old again. It’s not always a bad thing – sometimes these projects breathe new life into a worthwhile concept.

But sometimes you get “Death Wish.”

Published in Movies
Tuesday, 23 January 2018 17:42

‘Den of Thieves’ a humdrum heist

There’s a joy to watching heist movies that is tough to find in any other cinematic subgenre. They’re propulsive by nature, with an inherent structure that allows for a steady build to an elaborate and satisfying climax.

Well … hopefully satisfying, anyway.

See, while there’s a lot to love about good heist movies (and even bad ones, really), there are few things worse than a forgettable heist movie, a film that cobbles together a threadbare collection of influences from superior offerings into something that simply … is.

Published in Movies
Friday, 12 January 2018 12:04

'The Commuter' goes off the rails

It seems crazy that it has only been a decade since Liam Neeson, Pierre Morel and Luc Besson joined forces for “Taken,” the film that turned Neeson into a tough guy star and spawned an entire subgenre. And while many actors of a certain age have taken swings at their own old-guy-action movies, Neeson remains the king.

His latest is “The Commuter,” which puts Neeson’s now-typical “everyman-but-not-REALLY-an-everyman” character into yet another bizarrely contrived situation that only his particular set of skills (one of which, in this case, is riding the same train to work every day) can put right.

Published in Movies
Wednesday, 25 October 2017 09:54

‘Geostorm’ rains on its own parade

Sci-fi action flick entertainingly terrible

Published in Movies

Stylish action sequel doesn’t quite measure up to its predecessor

Published in Movies
Wednesday, 20 September 2017 11:22

‘American Assassin’ doesn’t quite kill it

Action thriller formulaic, but serviceable enough

Published in Movies
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