Admin
Tuesday, 29 May 2018 14:24

Taking flight with 'Solo'

Written by Allen Adams

Full disclosure: I love “Star Wars.” The original trilogy is near and dear to my heart – one of my earliest memories is seeing “Empire” at the drive-in when I was three. And while the prequels left a lot to be desired, Disney’s reinvigoration of the franchise in recent years has been welcome.

“Solo: A Star Wars Story” is the fourth film in this new wave and somehow manages to be both the biggest departure and the most conventional of the bunch. Turmoil seemed abundant behind the scenes – original directors Phil Lord and Christopher Miller were replaced by Ron Howard; rumblings about reshoots and acting coaches and whatnot were plentiful – so one wondered what the final product was going to be.

It’s … fine. Pretty good, actually. Not as good as the other newer offerings, but with plenty to recommend it. There are moments where it feels stitched together and a bit inconsistent, but otherwise, the directorial drama doesn’t show up much on screen. The performances range from meh to solid to excellent. The story is a bit slight and there are certain narrative mysteries that might have been better left unsolved (along with some tonal inconsistency and a few not-insignificant timeline questions), but all in all, it’s a fun space opera/heist movie with a charming cast and some strong set pieces.

Tuesday, 29 May 2018 14:21

‘RBG’ notorious indeed

Written by Allen Adams

One wouldn’t necessarily expect an octogenarian Supreme Court justice to become a celebrated pop culture touchstone, but hey – you can’t go predicting what people are going to do.

So it is with Ruth Bader Ginsburg, whose life and career are brought to the big screen in “RBG,” a documentary directed by Julie Cohen and Betsy West. It’s an engaging work, albeit somewhat introductory. That’s not a slight – for those many people whose knowledge of her springs primarily from internet memes, this film will prove to be an educational experience.

Tuesday, 22 May 2018 15:00

More meta mayhem – ‘Deadpool 2’

Written by Allen Adams

Superheroes are big business at the box office. The biggest cinematic successes of the past few years have involved CGI explosions and spandex. Hell, 2018 alone has seen “Black Panther” and “Avengers: Infinity War” taking their places atop various all-time lists.

And yet … there’s more than one path to victory.

We got a glimpse of one such path with 2016’s “Deadpool,” the hard-R Ryan Reynolds passion project that brought the unorthodox and profane titular character to the big screen in all of his fourth wall-breaking metatextual glory. The critical and commercial acclaim with which it was met ensured that we’d see another installment.

“Deadpool 2” is … more. More of the self-awareness. More of the snark. More winking jokes and nods. More curse words. Just … more. It is broad and crude and unapologetic. And while it’s maybe a little messier and unfocused than its predecessor, it also opens up and shows some unexpected heart – albeit in Deadpool’s specific and very peculiar way.

Tuesday, 22 May 2018 14:58

‘Book Club’ fails to leave a mark

Written by Allen Adams

It isn’t easy getting old in Hollywood. Too often, stars flail against the notion of age, desperately trying to stave off the inevitability of time. Aging gracefully isn’t something that most actors have the luxury of doing.

It’s particularly bad for women; there just isn’t a lot of space carved out of the cinematic firmament for actresses of a certain age. So when an opportunity arises – an opportunity for a collection of exceptionally talented women to shine - all you can do is cross your fingers and hope for the best.

At the very least, hope for better than “Book Club.”

Tuesday, 15 May 2018 14:55

‘Life of the Party’ offers familiar fun

Written by Allen Adams

It seems as though we don’t get the same kinds of breakout comedies in the summer that we once did. The season has become overrun with blockbusters, and while I love superheroes and explosions as much as anyone and more than most, it’s nice to change it up once in a while. And occasionally, a comedy will achieve significant summertime success. A lot of factors have to line up for it to happen – timeliness, star power, subject matter, broad appeal and more – for a comedy to be that movie.

“Life of the Party” is not that movie.

Tuesday, 15 May 2018 14:53

One bad mother – ‘Breaking In’

Written by Allen Adams

While it hasn’t reached the apex of home invasion movies, the subgenre of panic room thrillers has its place in the cinematic firmament. The notion of being (relatively) safe, yet still being trapped by the bad guys – usually with something to lose – is a resonant one and can make for some engaging, albeit fairly predictable, fare.

The new movie “Breaking In” attempts to subvert that basic structure. This time, the bad guys are the ones in the safe space and it’s up to our protagonist to find their way in and save the day. It’s not bad as ideas go – in the hands of really capable filmmakers, you could imagine this working quite well.

Alas, these filmmakers don’t appear to have that kind of capability. What we actually get is a poorly-paced ramble that never bothers to justify or explain the actions, events and decisions that play out on the screen. Gabrielle Union (“The Public”) does her level best in the lead – and gives a performance far better than this movie deserves – but that’s just not enough to overcome the jumbled blandness of literally everything else.

Tuesday, 08 May 2018 14:39

Mother’s milk – ‘Tully’

Written by Allen Adams

One of the downsides to the bounteous excess of summer blockbuster season is the fact that it’s extremely difficult for a smaller film to gain any real traction. More thoughtful fare can be drowned out by a wave of superheroes, sequels and CGI explosions.

In the case of “Tully,” the latest product of the director/writer partnership of Jason Reitman and Diablo Cody, that would be a real shame. This weird little funny/sad film is a lovely piece of storytelling that deserves to be seen, a meditation on motherhood that is genuine and bizarre and driven by an outstanding performance from Charlize Theron (who previously teamed with Reitman and Cody on 2011’s “Young Adult”).

Hollywood’s recent reliance on remakes and reboots has become almost a self-fulfilling prophecy as of late – people see them because that’s what available and the studios make more of them because people are going to see them and on and on. We’re in chicken/egg territory, only we’ve stopped caring which actually came first.

That line of thinking inevitably results in something like “Overboard.”

Ever since “Iron Man” hit screens back in 2008, the Marvel Cinematic Universe has been building to something. Something big. For the past decade, we’ve watched as nearly a score of movies have been made in the service of telling a massive interconnected metanarrative. It is storytelling where the big picture is made up of other big pictures.

And we’re coming to a crossroads.

That’s what “Avengers: Infinity War” is – a crossroads. It’s the beginning of, well … not THE end, but AN end. What we’re seeing now is the start of a transition, where various batons are being handed off – both in terms of the heroes we’ve grown to love and the actors who play them. It is a tremendous balancing act of a film, an effort to somehow bring together literally dozens of characters and deploy them in the service of a single story, all while maintaining narrative coherence and remembering that every character is someone’s favorite.

Tuesday, 24 April 2018 16:13

‘Super Troopers 2’ far from super

Written by Allen Adams

Today’s Hollywood is built on sequels. It’s no longer enough to make one movie that achieves box office success – you need to make a movie that will beget another movie that will beget still another movie and so on down the line. Some are designed to be ongoing – think the Marvel Cinematic Universe; others evolve into continuing concerns – the “Fast and Furious” franchise springs to mind.

But what about those sequels that simply shouldn’t be? The ones that are too late and/or too lame to effectively capitalize on what made the original special?

What about “Super Troopers 2”?

<< Start < Prev 1 2 3 4 5 6 7 8 9 10 Next > End >>
Page 6 of 48

Advertisements

Website CMS and Development by Links Online Marketing, LLC, Bangor Maine