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Hollywood’s recent reliance on remakes and reboots has become almost a self-fulfilling prophecy as of late – people see them because that’s what available and the studios make more of them because people are going to see them and on and on. We’re in chicken/egg territory, only we’ve stopped caring which actually came first.

That line of thinking inevitably results in something like “Overboard.”

Ever since “Iron Man” hit screens back in 2008, the Marvel Cinematic Universe has been building to something. Something big. For the past decade, we’ve watched as nearly a score of movies have been made in the service of telling a massive interconnected metanarrative. It is storytelling where the big picture is made up of other big pictures.

And we’re coming to a crossroads.

That’s what “Avengers: Infinity War” is – a crossroads. It’s the beginning of, well … not THE end, but AN end. What we’re seeing now is the start of a transition, where various batons are being handed off – both in terms of the heroes we’ve grown to love and the actors who play them. It is a tremendous balancing act of a film, an effort to somehow bring together literally dozens of characters and deploy them in the service of a single story, all while maintaining narrative coherence and remembering that every character is someone’s favorite.

Tuesday, 24 April 2018 16:13

‘Super Troopers 2’ far from super

Written by Allen Adams

Today’s Hollywood is built on sequels. It’s no longer enough to make one movie that achieves box office success – you need to make a movie that will beget another movie that will beget still another movie and so on down the line. Some are designed to be ongoing – think the Marvel Cinematic Universe; others evolve into continuing concerns – the “Fast and Furious” franchise springs to mind.

But what about those sequels that simply shouldn’t be? The ones that are too late and/or too lame to effectively capitalize on what made the original special?

What about “Super Troopers 2”?

Tuesday, 17 April 2018 14:43

‘Isle of Dogs’ is doggone good

Written by Allen Adams

Full disclosure: I’m in the bag for Wes Anderson. From “Bottle Rocket” right on through the years, I’ve been onboard with his quirky unorthodoxy. To my mind, he’s made solid contact with every film he’s ever made, even if he hasn’t necessarily hit a home run every time out.

That being said, “Isle of Dogs” is in fact a home run.

Tuesday, 17 April 2018 14:41

Monster mash – ‘Rampage’

Written by Allen Adams

Despite its best efforts, Hollywood remains unable to properly transition video game properties to the big screen. There are plenty of obstacles – some obvious, others not so much – and while studios have proven able to overcome many of them, they have yet to fully solve the problems inherent to the necessary shift in storytelling.

So it should come as no surprise that “Rampage,” based on the essentially plotless arcade game of the same name, doesn’t present a particularly compelling narrative. What DOES come as a surprise, however, is that despite the presence of everybody’s favorite action star Dwayne Johnson and some big-budget CGI, “Rampage” isn’t even all that much fun.

Tuesday, 10 April 2018 14:33

What a girl wants – ‘Blockers’

Written by Allen Adams

Few have shaped the film comedy world in recent years like Judd Apatow. Even if not directly involved, his fingerprints are all over most of the more successful comedic outings of the past decade-plus.

For example, he is not involved in “Blockers,” the new comedy directed by Kay Cannon and written by Brian and Jim Kehoe. However, the film is produced by - among others – Seth Rogen and Evan Goldberg, who definitely cut their teeth beneath the Apatovian umbrella. It’s not a Judd Apatow movie, but it has some of that DNA.

But don’t take that to mean that this is some tossed-off knockoff. “Blockers” is a sharp, funny and surprisingly thoughtful movie, featuring a well-balanced blend of raunchiness and sentimentality, with all of it executed by a talented cast.

One could make the argument that we’re currently in the midst of a horror movie renaissance. While the genre still offers up its share of misfires, horror has provided fertile ground for filmmakers looking to explore ideas big and small in sophisticated ways. It’s an arena where chances can still be taken. And when those risks pay off, you get some pretty great movies.

Movies like “A Quiet Place.”

Tuesday, 10 April 2018 14:29

The absent truths of ‘Chappaquiddick’

Written by Allen Adams

Truth is a funny thing.

Some people view it as an absolute. Others regard it as a concept with some flexibility. And once you’re a deviation or two away from the center, things get even murkier. There’s what happened and then there’s the story about what happened. Sometimes, the two are close to the same. More often, they’re not.

Wednesday, 04 April 2018 12:49

Game on! – ‘Ready Player One’

Written by Allen Adams

The potency of nostalgia is well-documented at this point. It seems as though much of the pop culture we consume these days is inspired by (or straight-up copied from) source material that we already know and love. Revisiting what we loved in the past has become a cottage industry across all entertainment platforms.

And so it’s no surprise that Ernest Cline’s 2011 novel “Ready Player One” would be adapted to the big screen. It’s a story ready-made for the wistful remembrances of the current cultural climate, packed with wave after wave of period-specific nerd references aimed at striking the winsome sweet spot of one particular generation. We do so love to love what we already love.

But when you hand the reigns over to a pop cultural icon like Steven Spielberg, well … that’s when you take things to a whole new level. A level, I might add, that is actually a bit higher than might have been expected for a film like this one. It’s precisely the sort of sci-fi-steeped young-person adventure story at which Spielberg excels. It’s throwbacks within throwbacks within throwbacks – a meta-nostalgic moviegoing experience that in many ways outshines the perfunctory nature of its inspiration.

Tuesday, 27 March 2018 15:42

‘Unsane’ in the brain

Written by Allen Adams

Remember when Steven Soderbergh said he wasn’t going to make movies anymore?

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