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Wednesday, 20 March 2019 12:46

Love is in the air – ‘Five Feet Apart’

Written by Allen Adams

I’ll be the first to admit that I’m a soft touch, emotionally speaking. My buttons can be pushed pretty easily. If a movie wants to make me cry, it will have little problem doing so. Whether or not that emotional manipulation is earned, well … it doesn’t really matter. It will work. However, just because my emotions are impacted doesn’t mean I’m unaware of the strings being pulled.

The new movie “Five Feet Apart” – directed by Justin Baldoni from a screenplay by Mikki Daughtry and Tobias Iaconis – is nothing BUT strings. It is almost cynically manipulative, with a star-crossed love story featuring terminally ill teenagers falling for one another yet being kept apart by forces beyond their control. It is so formulaic, so boilerplate, that it almost feels algorithmically-generated – a product of maudlin mathematics.

If history has taught us anything, it’s that when people are confronted with an invasion, they inevitably fall into one of two categories: collaborator or resistor. It has been that way in every war that has ever been fought; when enemy forces take over, some will fall in line and others will fight back.

There’s no reason to think that that would somehow change if said forces came not from another country, but from another world.

That’s the basic gist of “Captive State,” an alien occupation thriller directed by Rupert Wyatt from a script he co-wrote with Erica Beeney. It’s a story of what it means to live under the rule of an enemy that seems too powerful to overcome – and what it means to stand up to that enemy anyway.

It’s not a particularly subtle movie; it wears its ideas on its sleeve and is more about blunt force than surgical precision. The story is a bit overlong as well and meanders through its middle third. However, the low-fi aesthetic is interesting and there are some good performances. Add it all up and you get an acceptable (and forgettable) sci-fi outing.

Wednesday, 13 March 2019 13:07

Marvel at ‘Captain Marvel’

Written by Allen Adams

There’s no disputing that the Marvel Cinematic Universe rules the box office like nothing the entertainment industry has ever seen. Film after film drawing massive numbers, with grosses in the middle nine figures AT WORST. The MCU has produced some of the most globally popular movies of all time.

As we near the end of Phase Three – set to culminate with next month’s “Avengers: Endgame” – we are finally introduced to one of the characters who promises to be a major player in how that arc ends: Captain Marvel. The superpowered spacefarer stars in her own eponymously-titled outing, serving as the first female character to headline an MCU movie.

You may have heard about efforts from certain elements to undermine the film before its release. You may have also heard about how ultimately ineffectual those efforts were. Because a LOT of people saw this movie on opening weekend. And what they saw was pretty darned good, a quippy, zippy origin story that manages to stand on its own merits while also serving as connective tissue for the rest of the MCU out of necessity.

“Captain Marvel” could have floundered under the storytelling load it was asked to shoulder, but instead manages to (mostly) soar, giving us a fun and engaging narrative, some decent gags and some solid action set pieces (along with a killer ‘90s soundtrack). Excellent performances (particularly from star Brie Larson) serve as the glue that binds it all together.

Wednesday, 06 March 2019 13:08

Girl stalk – ‘Greta’

Written by Allen Adams

We’ve largely worked our way through the winter doldrums at the movies. It won’t be long before the deluge of big-budget blockbusters and franchise tentpoles begins in earnest. However, there are still a few stragglers hitting screens, films that have been thrust out into the market because if not now, when?

One such movie is “Greta,” a film you may not have even heard about (not many did, if the box office numbers are any indication). This despite some top-notch talent leading the cast and a well-regarded writer-director returning to the big screen for the first time in the better part of a decade. And yet, aside from a few interesting choices both in front of and behind the camera, the film is a largely forgettable thriller, a movie that we’ve seen a dozen times before.

Have you ever wondered where pro wrestlers come from? From what kind of environment does a professional wrestling star spring?

“Fighting with My Family” tells the story of how one particular wrestler – WWE star Paige – came to reach the pinnacle of her chosen pursuit. Written and directed by Stephen Merchant (yes, THAT Stephen Merchant), the film is based on Max Fisher’s 2012 documentary “The Wrestlers: Fighting with My Family.” It’s the story of an English family and their devotion to the world of professional wrestling – a devotion that would help one of them reach the top of the heap.

It’s also a funny and surprisingly heartwarming story about what it means to be a family and about how those family ties can both help and hinder efforts at self-betterment. Sure, it’s a bit of on-brand fantasy courtesy of WWE, but instead of feeling calculated and cynical, there’s an unexpected sincerity to it that proves quite engaging.

Despite how it may sometimes seem, it isn’t easy building an ongoing franchise. Creating something that will hold audience interest through multiple iterations takes plenty of skill and more than a little luck. Even animated fare, which could appear to have a leg up when it comes to turning a movie into a series, doesn’t always succeed.

That’s why the “How to Train Your Dragon” films – based on the Cressida Cowell book series of the same name – are such a delight. These movies – the third of which has just been released – have proven to be quality outings, earning plenty at the box office while also being of high enough quality to satisfy the critical sphere.

This newest installment - full title: “How to Train Your Dragon: The Hidden World” – offers us the third leg of a trilogy long in the making. Like its predecessors, the film offers up a surprisingly heartfelt message wrapped in high-flying dragon action and goofy slapstick. It feels like an ending – perhaps not of the franchise as a whole, but at least of this portion of the story.

Wednesday, 20 February 2019 13:53

‘Alita: Battle Angel’ fights the good fight

Written by Allen Adams

Considering the popularity of sci-fi/fantasy fare, you’d think that Hollywood would be better at adapting Japanese anime and manga for American audiences. However, whether it’s a cultural divide or an aesthetic difference or what have you, the undeniable appeal of those properties usually winds up getting lost in translation.

So when I started seeing ads for “Alita: Battle Angel,” I was skeptical. Based on Yukito Kushiro’s popular “Gunnm” manga from the early 1990s, it’s the sort of complex, thematically dense work that Hollywood has traditionally screwed up. Why would this time be any different?

But then I looked closer. It’s a marvelous collection of talent. You’ve got Robert Rodriguez, one of the best “genre” filmmakers of his generation, directing. Rodriguez also co-wrote the screenplay alongside Laeta Kalogridis and James Cameron – yes, that James Cameron – who also served as producer and has been moving this project forward for the better part of two decades. Oh, and there’s also an incredibly talented cast featuring far more Oscar winners and nominees than you might have anticipated for a seemingly straightforward sci-fi shoot-‘em-up.

Does it live up to that pedigree? Maybe not quite; there are some clarity issues regarding the storytelling and a few uncanny valley concerns regarding the CGI. However, there’s no disputing the vivid visual nature of the film; there are dynamic set pieces scattered throughout. And the performers all treat the material with due respect, resulting in nuanced and complex performances beyond the standard genre fare.

Wednesday, 20 February 2019 13:50

Love actually – ‘Isn’t It Romantic’

Written by Allen Adams

While the heyday of the romantic comedy has passed, there’s no disputing that the genre is still a significant part of the cinematic whole. Sure, there aren’t as many big-screen rom-coms as there once were, but the folks at Netflix have embraced them in a big way.

Suffice it to say, rom-coms aren’t going anywhere.

That’s why even though it might feel like a bit of a late arrival, “Isn’t It Romantic” still works. Yes, the sorts of films being targeted aren’t necessarily at the forefront of the cultural consciousness like they once were, but there’s no doubt that the tropes of the form still serve as prominent pop shorthand.

It doesn’t quite have the satiric bite that you might expect – largely because of a readily apparent affection for the source material. Basically, this movie tries to have it both ways, attempting to subvert conventions while at the same time embracing them. And while it isn’t wholly successful in that effort, the end result is still a solidly entertaining movie.

It took all of one weekend for it to be clear that there would be a sequel to 2014’s “The Lego Movie.” It was embraced by audiences of all ages and made just an absolute crapload of money – almost $470 million all told – so making another was a no-brainer.

The danger, however, is that capturing that kind of lightning in a bottle twice isn’t easy. There were elements of the original that simply could not be replicated – would a sequel still be able to resonate with audiences?

Ultimately, “The Lego Movie 2: The Second Part” is able to answer that question with a “yes.” The sequel – directed by Mike Mitchell, although Christopher Miller and Phil Lord (who directed the first film) did the screenplay – shares a sensibility with the original; while it doesn’t quite manage the same degree of emotional resonance, the jokes come fast and furious and the cast is as top-notch as ever.

Sunday, 10 February 2019 16:54

A dish best served cold – ‘Cold Pursuit’

Written by Allen Adams

Eventually, we’re all going to have to come to terms with the end of the “Liam Neeson avenges a relative after something bad happens to him/her” subgenre of films. As much as we might want to think he can do it forever, the truth is that Neeson will have to stop someday.

But today is not that day.

“Cold Pursuit” – an American adaptation of the 2014 Norwegian film “Kraftidioten” (“In Order of Disappearance”) – is the latest entry into Neeson’s old guy action oeuvre. He’s done planes and trains, so it was only a matter of time before we got to snowplows. Yes, really. It’s the story of a simple man who vows to determine the truth behind the loss of a loved one; his quest leads him to take up arms against a variety of bad guys, even though it might well wind up costing him everything – including his humanity.

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