Mike Dow

Mike Dow

edge staff writer

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The hits just keep on coming. Here’s a look at some just-released and soon-to-come music offerings, with plenty of tunes from old friends and new faces alike.

The Rock and Roll Hall of Fame has announced 16 nominees for consideration to be inducted into the hall later this year for its 36th class. This year’s nominees include Todd Rundgren, The New York Dolls, Foo Fighters, The Go-Gos, LL Cool J, Chaka Kahn, Fela Kuti, Mary J. Blige, Jay-Z, Carole King, Rage Against The Machine, Devo, Foo Fighters, Iron Maiden, Kate Bush, and Dionne Warwick. From that group, it’s expected that at least 6 will see induction during ceremonies tentatively set for this fall. The final list of inductees will be released in May, according to the Rock Hall.

Artists become eligible for induction to the rock hall 25 years after the release of their first record.

There is a bit of mystery regarding the process of how the list of nominees gets whittled down to the final inductees. As Rock Hall CEO Greg Harris told The Maine Edge a year ago “The industry vote is what ultimately determines election to the Rock and Roll Hall of Fame.” He explained that the industry vote is made up of more than 1,000 voters, many of whom are already inductees.

Until April 30, fans are encouraged to cast a vote for up to five nominees daily at As of this writing, world music pioneer and multi-instrumentalist Fela Kuti is the top fan-vote getter with nearly 125,000 votes. Tina Turner is in second place with more than 88,000.

Peter Guralnick is, arguably, America’s most substantial music writer. When I saw that the title of his first book in five years was called “Looking to Get Lost: Adventures in Music and Writing,” the first thought that came to mind was that the title could not be more apt. Probably more than any other author of music-related books I’ve encountered, Guralnick has the ability to transport you from your present domain to the environs of his subjects where you can almost touch, see, smell, taste, and hear what they do. The reader gets lost in the best of ways when reading a Guralnick book or profile.

My bookcase at home is trembling from the weight of Guralnick’s work, including his first compendium of artist profiles, “Feel Like Going Home: Portraits in Blues, Country and Rock and Roll,” released 50 years ago, his staggering and definitive two-volume biography of Elvis Presley (“Last Train to Memphis” and “Careless Love”), his methodical account of the life of a soul legend (“Dream Boogie: The Triumph of Sam Cooke”), the myth-busting “Searching for Robert Johnson” and his masterfully crafted bio on one of the true OGs, “Sam Phillips: The Man Who Invented Rock ‘n’ Roll.” Each book left a deep imprint on this reader, while also serving as literary companions to the musical dives they inspired while reading.

In “Looking to Get Lost: Adventures in Music and Writing,” an anthology of profiles, old, new, and revised, Guralnick tells stories that no other writer could have told by going deep into the lives of his subjects to give us not a comprehensive summation of events but to ultimately reveal the truths that drew him, and quite possibly us, to their light.

When the pandemic shut down basketball courts, gymnasiums and playgrounds in his state, a Florida father of six decided he would create fun for his kids by building an amusement park, including a 310-foot-long rollercoaster, in his backyard.

“My son is a basketball player, and when they shut down the courts here, we put in a full regulation NBA court,” said Scott Friga, a contractor in North Fort Myers, during an interview with The Maine Edge.

“The next week, they started shutting down gyms, so we built one right here,” Friga continued, adding “the toughest part was finding all of the gym equipment, but we did it.”

The next request came from Friga’s daughter.

“She said ‘Dad, I want a rollercoaster.’ I said ‘Great idea, let’s do it.’”

Wednesday, 10 February 2021 12:55

Forthcoming archival classic rock releases

Never-before-heard music from pivotal moments in the respective careers of Bob Dylan, The Band, Frank Zappa, Neil Young, and The Who, will be the drawing card for a number of forthcoming archival classic rock box sets. Designed for the super-fan looking for a deeper dive, these sets can be pricey, but they’re usually manufactured in limited quantities, which could turn some into sought-after collectibles on the secondary market when they’re gone.

They imagined fewer possessions then made it happen. I wonder if I can?

We all have a lot of stuff, most of it we never use. We’re consumers, that’s what we do. What happens when the things we buy because we think they’ll make us happy stop doing their job?

That’s a question asked and answered in the Netflix documentary “The Minimalists: Less is Now” from Joshua Fields Milburn and Ryan Nicodemus. The duo has reached millions of listeners, readers and viewers through their podcast, website, books and films.

George Thorogood and The Destroyers have been among rock and roll’s most fervently reliable preservationists for well over 45 years. Known for putting their own stamp on classic blues covers like Rudy Toombs’ (via John Lee Hooker) “One Bourbon, One Scotch, One Beer” and Bo Diddley’s “Who Do You Love,” as well as creating originals inspired by the music of their heroes like “Bad to the Bone,” the band has carved a career out of delivering intense, driving blues rock on record, and especially onstage, where the songs live and breathe.

In the fall of 1982, Thorogood and The Destroyers career was in major ascent following an intense year of touring on their own and with the The Rolling Stones in both the US and UK. The year before, they’d tested their mettle with the punishing and astonishing “50/50 Tour,” where they rocked all 50 states (plus Washington DC) in 50 days.

On November 23, 1982, with their fifth album “Bad to the Bone” scaling the charts after an October appearance on SNL, George Thorogood and The Destroyers played Boston’s Bradford Ballroom, a venue that had recently reopened on Tremont St. and had once hosted legends like Miles Davis, Ella Fitzgerald, and James Brown. Today it’s known as the Royale Nightclub. That night, with a mobile recording truck parked outside, The Destroyers unleashed a relentlessly powerful two-and-a-half hour show that has just been released in its entirety for the first time as “Live in Boston, 1982: The Complete Concert” on four LPs, two CDs and via digital.

Laughs imitate life on the new CBS sitcom “B Positive,” airing Thursdays at 8:30 p.m. The show is the latest hit from executive producer Chuck Lorre (“Two and a Half Men,” “The Big Bang Theory,” “Mom”) and series creator Marco Penette (“Caroline in the City”), whose real life need for a kidney transplant inspired its premise.

Veteran character actor Bernie Kopell, who plays a recurring character on the show, recalls his first table read for “B Positive,” when Penette introduced himself and shared his story.

“He told me that a few years back, he went to see the doctor because he hadn’t been feeling well,” Kopell recalled during an interview with The Maine Edge that aired last weekend on BIG 104 FM.

It’s been a great week of listening here at The Maine Edge. I’m sure there are other things happening in the world that deserve my attention, but with so much fine new music materializing at the moment, it will have to wait. Here’s a sampling of titles just released or due next week.

PORTLAND – Much has occurred in the lives of Portland-based alt-punk-grunge rockers theWorst since they formed and embarked on their first nationwide tour five years ago. The band’s celebrated 2017 debut “Jane Doe Embryo” was an aggressive and authentic “How do you do?” but according to lead singer and guitarist Brooke Binion, the best is yet to come.

As this story goes to print, Binion, bassist Will Bradford (SeepeopleS) and drummer Craig Sala (Paranoid Social Club) are wrapping sessions for their sophomore LP “Yes Regrets” at Chillhouse Studios in Boston with producer Will Holland. No second album syndrome for this band, Binion says, adding she isn’t worried about heightened expectations. “I think I’ll be more worried about topping this one to be honest,” she said. “It’s different, but it’s a lot more mature and I’m really proud of it.”

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