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It’s Oscar time again!

This year marks the 90th Academy Awards. 90 years of Hollywood’s biggest night of self-celebration and self-congratulation. 90 years of dazzling gowns and dapper tuxedos and impactful acceptance speeches and inane interviews on the red carpet. 90 years of excitement and disappointment.

As someone who loves the movies, I love the Oscars. Sure, they’ve grown increasingly out of touch over the years (though there’s been some solid bounceback in the last few). So what? There’s something exciting about rewarding the best of the best – even if what seems like the best of the best today might not seem so great later on down the road.

This marks the 11th Oscar preview I’ve written for The Maine Edge. I’ve been doing this for over a decade. And while I’ve gotten pretty good at determining just who is going to win, the reality is that there are always going to be some surprises. Hell, just look at last year, when “La La Land” was the winner for Best Picture … until it wasn’t.

OK, so maybe we won’t see THAT big a surprise this time around, but that’s the joy of it – you just never know.

Here’s a look at my predictions. I've included write-ups for the big ones - the four acting categories, director and Best Picture - and just picked the winners for the rest.

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Published in Cover Story
Wednesday, 07 February 2018 14:36

‘The Shape of Water’ beautiful and bizarre

It’s a rare thing for a filmmaker to be able to bring together diverse sensibilities in the service of furthering their own particular voice. Finding the balance between craftsmanship and commercialism is never an easy thing to do.

And when I say commercialism, I’m not necessarily referring to box office success (although that’s part of it). What I mean is the art of making commercial fare – a very different skill set than that used in the making of more indie-minded films.

Guillermo del Toro is as good at walking that line as any filmmaker in his generation. He’s probably the best we’ve seen since the heyday of Spielberg. And “The Shape of Water” is the culmination of that journey, precisely filling the Venn diagram overlap between those styles – equal parts “Pan’s Labyrinth” and “Hellboy.”

Published in Movies

This year marks the 75th awarding of the Golden Globes, honoring the best in film and television as determined by the Hollywood Foreign Press Association.

It also marks the first time that I’ve attempted to predict them.

Despite having devoted considerable energies to Academy Awards previews over the past decade, I’d never undertaken to predict their earlier, often portentous peers. Sure, the Globes might not have the same gravitas as the Oscars, but they still warrant at least a little attention.

(Note: While the Golden Globes recognize television as well as film, my focus is on the cinematic side of things. So while I made picks in all categories, I only went in depth on the cinematic side of things.)

Let’s go to the Globes.

Published in Movies

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