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Wednesday, 04 April 2018 12:49

Game on! – ‘Ready Player One’

The potency of nostalgia is well-documented at this point. It seems as though much of the pop culture we consume these days is inspired by (or straight-up copied from) source material that we already know and love. Revisiting what we loved in the past has become a cottage industry across all entertainment platforms.

And so it’s no surprise that Ernest Cline’s 2011 novel “Ready Player One” would be adapted to the big screen. It’s a story ready-made for the wistful remembrances of the current cultural climate, packed with wave after wave of period-specific nerd references aimed at striking the winsome sweet spot of one particular generation. We do so love to love what we already love.

But when you hand the reigns over to a pop cultural icon like Steven Spielberg, well … that’s when you take things to a whole new level. A level, I might add, that is actually a bit higher than might have been expected for a film like this one. It’s precisely the sort of sci-fi-steeped young-person adventure story at which Spielberg excels. It’s throwbacks within throwbacks within throwbacks – a meta-nostalgic moviegoing experience that in many ways outshines the perfunctory nature of its inspiration.

Published in Movies

There are some movies that are clearly designed for sequels. They are structured specifically to allow for a continuation of the story going forward – sometimes to the detriment of the tale being told in the moment. They’re built to be built again.

And then you have a film like 2013’s “Pacific Rim.” Guillermo del Toro’s big-budget love letter to the giant monster movies of the past felt for all the world like a one-off; a stylish two-hour whirlwind of enormous robots fighting enormous monsters. It seemed to have told the story it meant to tell.

Enter “Pacific Rim Uprising,” a decent-enough sequel that nevertheless feels unnecessary and almost cursory. Without del Toro as the driving creative force – though he is credited as a producer – this new film simply fails to reach the heights of the first, lacking spirit to match the spectacle of the too-familiar action beats.

Published in Movies
Wednesday, 07 February 2018 14:36

‘The Shape of Water’ beautiful and bizarre

It’s a rare thing for a filmmaker to be able to bring together diverse sensibilities in the service of furthering their own particular voice. Finding the balance between craftsmanship and commercialism is never an easy thing to do.

And when I say commercialism, I’m not necessarily referring to box office success (although that’s part of it). What I mean is the art of making commercial fare – a very different skill set than that used in the making of more indie-minded films.

Guillermo del Toro is as good at walking that line as any filmmaker in his generation. He’s probably the best we’ve seen since the heyday of Spielberg. And “The Shape of Water” is the culmination of that journey, precisely filling the Venn diagram overlap between those styles – equal parts “Pan’s Labyrinth” and “Hellboy.”

Published in Movies

It seems as though Hollywood’s recent fascination with adapting dystopian young adult fiction for the big screen is finally petering out. Despite the monster success of “The Hunger Games,” most of the follow-ups have fallen apart along the way (a la “Divergent”) or never really gotten off the ground in the first place (“I Am Number Four;” “The 5th Wave;” “The Mortal Instruments;” etc.).

And in the middle, we find the “Maze Runner” trilogy.

Published in Movies
Wednesday, 20 December 2017 13:54

‘Star Wars: The Last Jedi’ far from least

There are few films as difficult to review as a “Star Wars” movie. There’s such a fine line that needs to be walked with regards to the narrative; no one wants to be responsible for spoiling any aspect of such an eagerly-anticipated cinematic experience. However, you also want to be able to convey your feelings about the movie in a manner that is both engaging and accurate.

Published in Movies
Wednesday, 15 November 2017 12:20

Fly me to the moon – ‘Artemis’

Few debut novelists achieve the kind of success that Andy Weir did. “The Martian” was one of those books that captures the collective imagination. From Weir’s self-publishing of the novel in 2011 to Crown Publishing’s purchase and re-release of the book in 2014 to the commercially and critically triumphant 2015 film adaptation, “The Martian” has been wildly successful in every way.

But then the question becomes: What next?

Published in Buzz
Wednesday, 25 October 2017 09:54

‘Geostorm’ rains on its own parade

Sci-fi action flick entertainingly terrible

Published in Movies
Wednesday, 02 August 2017 10:49

Tick-tock - ‘The Clockwork Dynasty’

New book offers steampunk take on automata

Published in Buzz

Latest from Luc Besson a surreal, scattered space opera

Published in Movies

Second installment of sci-fi series a strong sequel

Published in Buzz
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