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Wednesday, 07 February 2018 14:36

‘The Shape of Water’ beautiful and bizarre

It’s a rare thing for a filmmaker to be able to bring together diverse sensibilities in the service of furthering their own particular voice. Finding the balance between craftsmanship and commercialism is never an easy thing to do.

And when I say commercialism, I’m not necessarily referring to box office success (although that’s part of it). What I mean is the art of making commercial fare – a very different skill set than that used in the making of more indie-minded films.

Guillermo del Toro is as good at walking that line as any filmmaker in his generation. He’s probably the best we’ve seen since the heyday of Spielberg. And “The Shape of Water” is the culmination of that journey, precisely filling the Venn diagram overlap between those styles – equal parts “Pan’s Labyrinth” and “Hellboy.”

Published in Movies
Wednesday, 05 December 2012 14:48

Killing Them Softly' with a big stick

Gangster movie suffers from overly aggressive message

There's nothing inherently wrong with using a film to send a 'message.' In fact, with the right combination of circumstances, a movie can manage to be effective both as an entertainment and as a conveyance of some larger truth.

However, when a movie allows itself to be overwhelmed by the message it is intended to convey, both the movie and the message wind up significantly diminished.

Published in Movies

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