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It’s Oscar time again!

This year marks the 90th Academy Awards. 90 years of Hollywood’s biggest night of self-celebration and self-congratulation. 90 years of dazzling gowns and dapper tuxedos and impactful acceptance speeches and inane interviews on the red carpet. 90 years of excitement and disappointment.

As someone who loves the movies, I love the Oscars. Sure, they’ve grown increasingly out of touch over the years (though there’s been some solid bounceback in the last few). So what? There’s something exciting about rewarding the best of the best – even if what seems like the best of the best today might not seem so great later on down the road.

This marks the 11th Oscar preview I’ve written for The Maine Edge. I’ve been doing this for over a decade. And while I’ve gotten pretty good at determining just who is going to win, the reality is that there are always going to be some surprises. Hell, just look at last year, when “La La Land” was the winner for Best Picture … until it wasn’t.

OK, so maybe we won’t see THAT big a surprise this time around, but that’s the joy of it – you just never know.

Here’s a look at my predictions. I've included write-ups for the big ones - the four acting categories, director and Best Picture - and just picked the winners for the rest.

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Published in Cover Story
Wednesday, 07 February 2018 14:55

Ice ice baby - 'I, Tonya'

There are relatively few truly shared experiences anymore. The proliferation of the internet has led to a cultural splintering that largely prohibits the grand-scale zeitgeist moments that we all witnessed together.

To anyone possessed of even a modicum of awareness in 1994, the name Tonya Harding was a familiar one. She was at the center of one of the most bizarre incidents in sports history when she was involved (or not involved) in the planning of an assault on Nancy Kerrigan, her fellow figure skater and major rival in the 1994 Olympic Games.

“I, Tonya” means to tell that story. And it does, after a fashion, by embracing the strangeness of the situation. Rather than trying to piece together the truth from a collection of wildly differing accounts, director Craig Gillespie and screenwriter Steven Rogers lean into the disparities, bouncing from POV to POV and producing a story that is utterly compelling even as it utterly lacks consistency.

Published in Sports

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