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Saturday, 13 January 2018 12:54

‘The Post’ delivers

Written by Allen Adams

If you were to go into a filmmaking laboratory with the sole task of creating a prestige movie, you’d probably wind up with something very much like “The Post.”

Friday, 12 January 2018 12:04

'The Commuter' goes off the rails

Written by Allen Adams

It seems crazy that it has only been a decade since Liam Neeson, Pierre Morel and Luc Besson joined forces for “Taken,” the film that turned Neeson into a tough guy star and spawned an entire subgenre. And while many actors of a certain age have taken swings at their own old-guy-action movies, Neeson remains the king.

His latest is “The Commuter,” which puts Neeson’s now-typical “everyman-but-not-REALLY-an-everyman” character into yet another bizarrely contrived situation that only his particular set of skills (one of which, in this case, is riding the same train to work every day) can put right.

Wednesday, 10 January 2018 14:27

‘Darkest Hour’ shines brightly

Written by Allen Adams

Playing a real person is always a tricky thing as an actor. Playing a real person of historical significance presents even more challenges.

This year marks the 75th awarding of the Golden Globes, honoring the best in film and television as determined by the Hollywood Foreign Press Association.

It also marks the first time that I’ve attempted to predict them.

Despite having devoted considerable energies to Academy Awards previews over the past decade, I’d never undertaken to predict their earlier, often portentous peers. Sure, the Globes might not have the same gravitas as the Oscars, but they still warrant at least a little attention.

(Note: While the Golden Globes recognize television as well as film, my focus is on the cinematic side of things. So while I made picks in all categories, I only went in depth on the cinematic side of things.)

Let’s go to the Globes.

Wednesday, 03 January 2018 13:53

Game on! – ‘Jumanji: Welcome to the Jungle’

Written by Allen Adams

One of the realities of Hollywood’s love of sequels, remakes and reboots is that you’re guaranteed a fairly wide range of quality, though history shows that you’re much more likely to get a dud than a diamond. The most effective projects seem to be the ones that can manage to update a property while still retaining the aspects that made them successful in the first place.

That said, be honest – you’ve probably never spoken aloud (or even thought) the sentence “I sure would like to see an updated reboot of the 1995 family film ‘Jumanji’ – preferably starring The Rock.”

And yet that’s what we’ve gotten with “Jumanji: Welcome to the Jungle.” It probably seems odd to be getting a movie like this some two decades after the original, but that’s not even the biggest surprise about the whole thing. The biggest surprise?

It’s actually pretty good.

Wednesday, 03 January 2018 13:51

Plummer shines in ‘All the Money in the World’

Written by Allen Adams

Sometimes the narrative surrounding a film threatens to supersede the film itself. The content and relative quality of the movie in question becomes secondary to a story about the movie’s process.

So it is with “All the Money in the World,” a dramatization of the real-life story of the kidnapping of John Paul Getty III, grandson to financial titan J. Paul Getty. But as rife with drama as that tale might be, it paled in comparison to the controversy that surrounded the film and the choices made to address that controversy.

Actor Kevin Spacey played the elder Getty in the movie as it was originally filmed, but following a slew of allegations of sexual assault and other misconduct, the decision was made to remove him from the film and replace him with Christopher Plummer. And despite an incredibly truncated timeline, director Ridley Scott managed to do just that while still sticking to the film’s announced release date.

Wednesday, 03 January 2018 13:49

‘Downsizing’ comes up short

Written by Allen Adams

Sometimes, a film is simply less than the sum of its parts.

Take “Downsizing.” This movie has everything you could want in terms of quality entertainment. You’ve got a talented writer-director auteur-type at the helm in Alexander Payne. You’ve got a top-tier movie star playing the lead in Matt Damon. You’ve got a dynamite high-concept premise that offers fertile ground for satire with room for both humor and hubris.

All the pieces are here. Unfortunately, “Downsizing” can’t figure out just how to put it all together, leading to a film filled with tonal inconsistencies resulting in a haphazard narrative. Instead of assembling one puzzle, this film tries for three or four different pictures; what we end up with is something muddled and more than a little frustrating.

Wednesday, 27 December 2017 13:50

‘The Disaster Artist’ anything but

Written by Allen Adams

James Franco shines behind, in front of the camera

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